Heresy Meatfly - Heresy Meatfly

Download Heresy Meatfly - Heresy Meatfly
Artist: Heresy Meatfly
Album: Heresy Meatfly
Rating: 4.23

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Filename: heresy-meatfly-heresy-meatfly.zip
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Review by Recai Gürle

Heresy Meatfly's self-titled album, Heresy Meatfly, is a unique and captivating experience that fans of experimental music will appreciate. The album features an eclectic mix of sounds and styles, ranging from ambient electronic textures to heavy rock riffs.

One of the standout tracks on the album is "Burning Bones," which features haunting vocals and a brooding atmosphere that builds to a powerful climax. Another highlight is "Electric Vultures," a frenetic and chaotic track that showcases the band's impressive technical skills.

Throughout the album, Heresy Meatfly demonstrates a willingness to push boundaries and explore new sonic territories. The result is a collection of songs that feel fresh and exciting, even on repeated listens.

Table of Contents

Tracks

TrackDurationPreview
Them And Us And Me And You
Entrapment
Mouth
Follow Suit
Beef Lips
Ghettoised
Jack Daniels And Strange
Lady Asylum
Making A Mess
Everyday Madness Everyday

Video

Meatfly - Beef Lips
Heresy - Ghettoised
Meatfly - Making A Mess

Images

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Catalog Numbers

WKP 01, ME 1008

Labels

Nikt Nic Nie Wie

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Formats

  • Vinyl
  • 12"
  • 45 RPM
  • 33 ⅓ RPM

Notes

  • Including insert with lyrics translated in Polish
  • NOT TO BE SOLD IN WEST
  • (Poland, Czechoslovakia, Hungary etc. only)

About Heresy Meatfly

Hailing from a tiny village outside Stoke-on-Trent, UK - Plasmid - as they were originally called - started as a three piece politically-themed fast hardcore punk formed by Reevsy (guitar/vocals) and his 15 year old cousin Steve, on drums. After one Plasmid demo, they joined up with newly recruited bassist Kalv from Nottingham, playing some local shows under their newly chosen, more "metallic" moniker, Heresy. Many of the early shows were booked by local HC promoter, and later Earache founder, Dig. Influenced by and the fastest US HC bands like , and especially , Heresy were lucky to have the formidable talents of Steve on drums, though young, he put himself through a punishing daily rehearsal schedule, such that he was arguably the fastest drummer in the world when they entered the local Nottingham no-budget Pavilion Studios just before Xmas 1985 to record the "Never Healed" flexi. With Reevsy on guitar and vocal duties,and Kalv on bass, the band laid down 6 tracks in barely a day. The flexi was released by Kalv and Dig's DIY jointly funded label (the name "Earache" was added to the label at the last minute) and all 3000 copies sold out right away. The six tracks included were blisteringly fast thrash with non-existent production, but the proto-metalcore riffs in the songs attracted metal fans to the band as well as the usual hardcore punk crowd. At this time, Heresy would often play in the The Mermaid pub in Birmingham (usually sharing the bill with the still unsigned ), and it was noticeable that both bands' drummers were engaged in a kind of friendly rivalry to see who could play fastest on the night. Music was accelerated to superhuman speeds, and grindcore had its birthplace in early 1986 on that stage. By 1986 Dig had officially formed his fledgling record label, Earache Records and asked Heresy to record a split LP with fellow Nottingham politico-punks . The first recording of the Heresy side took place at Rich Bitch studios in Birmingham early that year, and featured Reevsy on vocals, but on the eve of a European tour later in the year, the band recruited the current Concrete Sox drummer John March to join on vocals to boost their on stage presence. Having gone down well on tour, John's high energy stage jumping antics were spectacular at the time, he joined Heresy permanently and re-recorded the vocals in the studio for the eventual Heresy/Concrete Sox split LP release in early 1987. By the time of the release, Reevsy had quit because he was unable to commit to any touring, so Mitch Dickinson of the then unsigned stepped in ably on live guitar. The Heresy Mosh Crew, as they became known, undertook further tours including UK touring with the , and toured Europe many times, with the likes of , etc, becoming almost like ambassadors for the growing UKHC scene. Heresy were soon to be joined by the even faster and noisier playing Europe's squat and youth club circuit constantly. Mitch's sole recordings with the band were the "Thanks" 4-track 7" EP, recorded in 1987 at the Radio Trent studios in Nottingham, (released DIY by a fan in Germany and sold on tour), and the 2 tracks on the ludicrous UK Rock DJ's "Bailey Brothers - Diminished Responsibility" compilation of up 'n coming UK thrash talent. This was released on a major label, and thankfully disappeared without trace. On the eve of the bands first BBC radio session with famed DJ John Peel, Heresy decided to split with Earache and go fully DIY in their endeavors, recording a number of albums and EP's under their own steam over the following 18 months, but, ultimately line up problems lead to the band splitting up in December 1988. In 1990 Earache made available a retrospective CD of all the bands recordings for the label. Entitled "Never Slit Thanks" (shorthand for it containing the "Never Healed" flexi, Split LP and "Thanks" EP, but with the obligatory tongue-in-cheek Japanese spelling mistake) it was Licensed by Toys Factory so was only available in Japan.

Name Vars

  • Heresy
  • Øì·ü

Members

  • Kalvin Piper
  • John March
  • Stephen Charlesworth
  • Reevsy
  • Mitchell Dickinson
  • Steve Ballam
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Summary by Recai Gürle

Heresy Meatfly is a must-listen for fans of experimental music. It's an impressive debut album that showcases the band's talent and creativity, and leaves listeners eager to hear what they come up with next.

Comments

joaomarceloestulano
2023-06-24
Yet another underrated and unappreciated band. From the Remains of Ripcord and Heresey, ....allways compared to its predecessors. And bashed for it, shame on yaall!
They were great and ahead of their time IMHO. killer! luv!
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